Al rescate de un patrimonio olvidado
El pasado parece ser una carga demasiado pesada en un país predispuesto a la desmemoria y, por ende, a la ausencia de id...
In response to a necessity and in alliance with the artist and the Cruz-Diez Atelier in Paris, the Grand Project for the Recovery of Cruz-Diez Artistic and Monumental Heritage begins in 2016, aiming to give back to the city its artistic and monumental landmarks, and seek long-term conservation.
Honoring the Master’s will, staying truthful to what the artist had conceptually foreseen in his time, leveraging the new existing technologies, and as the only authorized (and approved) company to perform restoration and maintenance services on the work of Carlos Cruz-Diez, we take action to return the artworks to their original condition, recovering their heritage, historical, iconic, symbolic, tourist, economic, and social value.
Carlos Cruz-Diez is regarded as one of the most productive artists when it comes to the integration of art into architecture, engineering, and urban spaces. Venezuela has been the canvas on which the master of color has conceptualized and materialized the greater number of integration artworks: One hundred and fifty seven (157) monumental artworks of a total of approximately two hundred and twenty three (223)—many of them severely damaged and soon to be restored.
223
207
FISICROMÍA CONCAVO-CONVEXA HOMENAJE A ANDRÉS BELLO PLAZA VENEZUELA : CARLOS CRUZ-DIEZ
COMING SOON |
INDUCCIÓN CROMÁTICA A DOBLE FRECUENCIA TORRE STRATOS VALENCIA : CARLOS CRUZ-DIEZ
COMING SOON |
FISICROMÍA DOBLE FAZ BANCO HIPOTECARIO VENEZOLANO CENTRO PLAZA : CARLOS CRUZ-DIEZ
COMING SOON |
FISICROMÍA NARANJA DE VALENCIA ROTONDA DE GUAPARO : CARLOS CRUZ-DIEZ
COMING SOON |
AMBIENTACIÓN CROMÁTICA TORRE ABA : CARLOS CRUZ-DIEZ
COMING SOON |
FISICROMÍA DOBLE FAZ PARA MADRID PARQUE JUAN CARLOS I : CARLOS CRUZ-DIEZ
COMING SOON |
CROMOESTRUCTURA TORRE LA PREVISORA : CARLOS CRUZ-DIEZ
COMING SOON |
AMBIENTACIÓN CROMÁTICA COMPAÑÍA ANÓNIMA VENEZOLANA DE NAVEGACIÓN (CAVN) UNIVERSIDAD ALEJANDRO HUMBOLDT : CARLOS CRUZ-DIEZ
COMING SOON |
AMBIENTACIÓN CROMÁTICA MUSEO DE LA ESTAMPA Y DEL DISEÑO CARLOS CRUZ DIEZ : CARLOS CRUZ-DIEZ
COMING SOON |
INDUCCIÓN CROMÁTICA POR CAMBIO DE FRECUENCIA DOBLE FAZ TORRE PRINCIPAL BANESCO : CARLOS CRUZ-DIEZ
COMING SOON |
FISICROMÍA BANCO CONSOLIDADO TORRE B.O.D : CARLOS CRUZ-DIEZ
COMING SOON |
Carlos Cruz-Diez (Caracas 1923 – Paris, 2019) is a French-Venezuelan artist who lives and works in Paris as of 1960. His plastic proposal, one of the most original within the kinetic movement, unveils the artist as one of the most important color theorists of the 20th century and one of the most prominent figures of contemporary art. His work gravitates around the chromatic phenomenon and comprises eight investigations: Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Transchromiea, Chromosaturation, Chromoscope and Couleur à l’Espace. His optokinetic work is exhibited in permanent collections from prestigious museums, such as the Museum of Modern Art (MoMA) in New York; Tate Modern in London; Musée d’Art Moderne de la Ville and Centre Pompidou in Paris; the Museum of Fine Arts in Houston, and the Wallraf Richartz Museum in Colonia, among others.
Carlos Cruz-Diez (Caracas 1923 – Paris, 2019) is a French-Venezuelan artist who lives and works in Paris as of 1960. His plastic proposal, one of the most original within the kinetic movement, unveils the artist as one of the most important color theorists of the 20th century and one of the most prominent figures of contemporary art. His work gravitates around the chromatic phenomenon and comprises eight investigations: Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Transchromiea, Chromosaturation, Chromoscope and Couleur à l’Espace. His optokinetic work is exhibited in permanent collections from prestigious museums, such as the Museum of Modern Art (MoMA) in New York; Tate Modern in London; Musée d’Art Moderne de la Ville and Centre Pompidou in Paris; the Museum of Fine Arts in Houston, and the Wallraf Richartz Museum in Colonia, among others.
El pasado parece ser una carga demasiado pesada en un país predispuesto a la desmemoria y, por ende, a la ausencia de id...
INSTITUTIONAL ASSETS AND MONUMENTS OF VENEZUELA – Venezuela. Se desdibuja “Cromointerferencia de color aditivo”, e...